Showing posts with label Pro Se. Show all posts
Showing posts with label Pro Se. Show all posts

Saturday, June 29, 2019

Australis Incognito: Behind the curtain.

So as promised here's a peak behind the curtain for the story behind the story of Australis Incognito.







Now I'd love to say the whole thing came to me in a one big hit but that's not true.  Some of the ideas had been floating around in my head for some time.  The Rusting Death had been a title that been waiting since the mid 90s when I mistyped the Doc Savage novel The Rustling Death for my book list.



But the story really started on Watchmen's 25th anniversary in around 2011.  Like many fans I wondered how things would have went after the events of Moore and Gibbons' story.  It's a world now without a superman just people in costumes.  Was there a third wave/generation of heroes, did the peace last?  What might a third wave look like?


I let myself imagine.  Silk Spectre II and Nite-Owl II would have kids The Nite Spectre, Silk and Nite-Owl III.  There would be a Rorschach II, the daughter of the original's landlady who believes that Walter Kovacs is her father.  There would be original characters like the Cutlass.

I never wrote anything down and at some point reality set in assuming that DC was going to do anything they wouldn't be hiring me anytime soon (and shorly after we got the Before Watchmen collection of miniseries)

As any Watchmen fan worth their salt knows the story was written with the Charlton characters.  DC looked at the story and realised that it would render their newly acquired characters unusable.  Moore then created new characters who if you squint looked a little like the Charlton Characters,



So I squinted - The third generation Watchmen siblings became The Dingo, Risque and Risk.  Rorschach II became The Question Mark II.  I left the Cutlass alone.  I dropped several characters and created new ones.

One of my new characters was the Aggressor, a veteran of Afghanistan or Iraq and fighting a bloody crusade against organised crime.  Then I found the Cutter series by James Hopwood - and also published by Pro Se Press.  Hopwood did what I was planning and in all honesty did it better.  So I changed tack The Agressor was active in the 1980s and was involved in The Fitzgerald Inquiry into corruption in the Queensland Government and police force, which worked much better for me.  So James if you read this - Thank you.



Around the same time, I was looking at myself as an Australian new Pulp writer and what I wanted to write.   I discovered a history of Australians creating pulp and pulp adjacent characters and I met several other creators who were crafting new stories in the same vein.

I wanted to write a big Australian pulp story. I had the basis for my story.  I pitched the idea to Pro Se as Oz Pulp.

The good news they liked the idea, the bad - they were not so keen on Oz Pulp.  I wasn't keen on their suggested replacement Aus Pulp.

I sat brainstorming when  I remembered that on old maps Australia was called Terra Australis Incognita - and Australis Incognito was born.  (Several Australian horror anthologies have used Terror Australis)

Australis Incognito became more than the title of the story but the collective name of my heroes and would go back to the settlement of New South Wales in 1788 allowing me to weave a backstory that allowed me to reference several characters I had read about.  It also gave me a reason that these characters all knew each other.

I had the idea for a villian so big that these characters couldn't battle them alone.  I distinctly recall the idea that one of the heroes was suggesting the unknown villian was a Moriarty-type.  The mysterious villian lurking over the skyline of Brisbane on the cover.



Around this time I had been invited to contribute to Sherlock Holmes and Dr Was Not (IFWG, 2019) an anthology that paired Sherlock Holmes with a different doctor instead of Watson.  I selected Dr Nikola, the villian of five novels by Australian writer Guy Boothby that were just as popular as the Sherlock Holmes stories back in the 1890s.  Nikola became a large piece of the this new story and his actions in the past served as a catalyst for this modern day adventure.



I had a great time building a world where modern pulp heroes could operate and link in with other Australian pulp and pulp-adjacant characters.


Sunday, June 23, 2019

AUSTRALIS INCOGNITO now available

FOR IMMEDIATE RELEASE
SUPER HEROES FLY FROM DOWN UNDER-BRAD MENGEL’S ‘AUSTRALIS INCOGNITO’ DEBUTS
The Land Down Under, a land of crime and adventure.  For over two hundred years, Australia has been guarded by the masked men and mystery women of Australis Incognito.
The Dingo, Risqué, Risk, The Knight Errant, The Cutlass, The Question Mark and the Sai are the latest generation of crime fighters.
Now they are faced with an ancient evil, a mastermind committing impossible crimes.  A mystery villain who threatens to expose their greatest secrets and those of their predecessors. Australia’s heroes…and the world itself may not survive in Author Brad Mengel’s debut novel-AUSTRALIS INCOGNITO, now available from Pro Se Productions.
Featuring a haunting cover and logo design by Jeffrey Hayes and print formatting by Antonino Lo Iacono and Marzia Marina, AUSTRALIS INCOGNITO is available in print at https://www.amazon.com/dp/1074217349/ref=sr_1_3?keywords=australis+incognito&qid=1560997291&s=gateway&sr=8-3 for $9.99.
Mengel’s debut novel is also available as an eBook formatted by Lo Iacono and Marina for the Kindle at https://www.amazon.com/Australis-Incognito-Brad-Mengel-ebook/dp/B07T3WD99Y/ref=sr_1_1?keywords=australis+incognito&qid=1560997378&s=gateway&sr=8-1 for only $2.99. The book is also available to Kindle Unlimited members for free.
For more information on this title, interviews with the author, or digital copies for review, email editorinchief@prose-press.com.
To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.



This has been a long time coming and I'm so pleased to see it finally come to life.  Massive shout out to the team at Pro Se and to Jeffrey Hayes for the awesome cover that exceeded my wildest dreams.

To my Australian mates,  ebook only on Amazon Australia.  Brisbane folks can order a hard copy at Pulp Fiction Book shop.  http://www.pulpfiction.com.au/

I'll post soon about the background for the story and how it came to be in a separate post.

Tuesday, January 6, 2015

Now Available - Poker Pulp.

          
Aces and Eights, a Dead Man’s Hand. Life and Death dealt over a shuffle of a deck. Stakes from dollar bills to souls tossed into the center of the table. And sitting around, waiting for the turn of a card, to raise, check, bet, or fold, are rogues, scoundrels, dames, and sharps. Every single one betting their last breath on the hand they hold. Pro Se Productions presents Poker Pulp, an anthology centered around the storied, legendary game of cards and chance. Authors J. H. Fleming, Michael Krog, and Brad Mengel deal three tales that up the ante, taking Poker to an all new level of Pulp. Action, adventure, and intrigue are the game of choice in Pro Se Productions’ Poker Pulp.

My story "Strip Poker: A Risqué Story" introduces the new pulp heroine Risqué.  She prowls the mean streets of 1920s Sydney where Kate Leigh and Tilly Devine rule the criminal fraternity.  In this adventure she bets her life on a game of strip poker with the vicious razor gang that attacked her cousin.

Poker Pulp is now available from Amazon and Smashwords.

Sunday, December 28, 2014

2014 - a year in writing






















Oddly for a year where I did a fair bit of writing the only thing published was "The Roads not Taken." in More Blood: A Sinanju Anthology - available in paperback now from Amazon!  Subtle Plug I know.  What's it about?  The basic idea is that while in Viet Nam, Remo first hears the legends of the Masters of Sinanju and what he thinks they are like.  I manage to include references to several other paperback vigilante series, TV shows and movies  I actually wrote this back in 2005 for the New Blood Anthology So it's interesting to see how much I've grown in the decade or so between then and now.

So what did I write this year?

For DREAMER'S SYNDROME: NEW WORLD NAVIGATION  edited by Mark Bousquet, I wrote "The Case of the Hooded Shark".  This is set in the same universe as Mark's DREAMER
S SYNDROME novels and short stories/  The basic premise is that God gave an order that everyone got to live out their dreams of what they wanted to be at ten years old.  Naturally Mark's stories only cover a small part of the world and this anthology opened up for other stories taking place around the world.  My starting point was at ten I was obsessed with teen detectives, The Hardy Boys, Nancy Drew, The Three Investigators, The Dana Girls and Trixie Belden, so I created a character who wanted to be a detective. I gave him a "Watson" an ex-military man, the idea for him was he had dreamt of being in the army at ten - joined at 18 served around the world and came back from Afghanistan with PTSD and found a new dream job.    Then the world changed and he finds himself back in the army.  I played with a lot of Holmesian tropes as well as the nature and perception of Australia. Part of my inspiration was the Taiwanese news coverage of The Buxom Bandit
 
 
The idea that she would ride a kangaroo to a robbery just made me laugh.
 
 
Next up was "The Adventure of the Empty Throne" for Chris Sequera's SHERLOCK HOLMES AND DR WHAT?  which had Sherlock Holmes working with a Doctor other than Watson.  I had Holmes working with Guy Boothby's Doctor Nikola to investigate a plot to destroy the British Empire.  I used another Boothby creation as the villain and referenced some EW Hornung.  Thankfully The Hooded Shark got the Study in Scarlet references out of my system and I was able to craft a different take on the Holmes/Nikola fused universe.  Nikola is a great character and I will return to him one day, as I will with  Sherlock Holmes.
 
I'm not sure if I can share Paul Mason's awesome and amazing artwork for the story. (but I got the original for Christmas and there's a picture on my Facebook page.
 
I also wrote "The Domino Lady's Triple Threat" for Airship 27 which looks like it will appear in Domino Lady volume 2.  Domino Lady versus the American-German Bund who are keen to kidnap an old friend of Ellen Patrick's father.  I took inspiration from the opening of the Sydney Harbour bridge in 1932.  I slipped a few classic and new pulp references into the story and some ancestors of my favourite characters.
 
 
 
 
That brings us to the final three and a bit stories which form my own shared universe that I call "Australis Incognito"  (Above is the awesome cover painting by Jeffrey Hayes a print can be bought here.
 
The first story that I wrote (mostly in 2013) was Risqué: Strip Poker which introduced my 1920s Sydney vigilante Risqué.  A lot of the inspiration for her and this story came from Underbelly: Razor true crime series that ran on the Nine Network here in Australia.  (I recommend watching if you get the chance, Sydney in the 20s feels so pulpy - it's also an odd time where the two big criminal gangs were run by women Kate Leigh and Tilly Devine.)  Think of this as a prequel to the main Australis Incognito series.  I subtly foreshadowed a couple of things that will become important in the main series.  This story will be published in POKER PULP by Pro Se Productions
 
(As an aside I also wrote a short comic story featuring Risque's daughter Jasmine who works as a spy in the 1960s under the code name Risqué Brent with her partner codenamed "Flynn" as a homage to Modesty Blaise.  I submitted the story to Ashcan, a Brisbane based comic book anthology but it didn't find an artist.)
 
The first contemporary Australis Incognito story I wrote was Bus Bait Blues starring The Question Mark.  The Question Mark is a young woman who investigates why a Russian mob boss would be in a bar picking up a girl fresh off the bus.  Of course she discovers a much larger criminal conspiracy.
 
The Second story "Thunderstruck" features the third generation Risqué facing against an opponent who can appear anywhere at will.  the only way you know you've been hit is the sound of thunder and a calling card that reads "You've been Thunderstruck".
 
 
The third Australis Incognito story "The Rusting Death" is currently being written.  The title came from the misreading of a Doc Savage adventure The Rustling Death.
 
These are part of Pro Se's Single Shot line of stories and will be published in the near future.
 
 
 
 
 
 
 


Monday, April 7, 2014

PRO SE PRODUCTIONS TAKES SHORT FICTION TO THE NEXT LEVEL

From Pro Se:

 A leading independent publisher of Genre Fiction, Pro Se Productions announces an innovative new Fiction line today.

In 2010, Pro Se Productions debuted as a small press focused on ‘Puttin’ The Monthly Back into Pulp!’ The company originally produced a line of three magazines that featured ‘New Pulp’ short stories, that is stories written... by modern writers very much in the style and feel of tales featured in classic Pulp magazines in the early 20th Century. When Pro Se made the move into publishing novels and short story anthologies, it closed the magazine line, only to restart the concept as a single magazine title due to popular demand. PRO SE PRESENTS grew into an award winning magazine that ran for 20 issues, its final installment released in February 2014. With the end of the magazine, Pro Se Productions closes one era to enter another, one that readers got a taste of in December of 2013.

“We are always,” says Tommy Hancock, Partner in and Editor-in-Chief of Pro Se, “focused on producing the very best in New Pulp and Genre Fiction in all aspects, including the format which we present it in. It’s no secret that Publishing in the last five years, particularly for independent presses such as Pro Se, has moved more and more into the digital realm. Not only can readers carry more books around on their Ereaders or their phones, but the price point is tremendously better in most cases over print books. Digital publishing also affords writers and publishers to produce any size work they wish, including single short stories that can be offered for less than a dollar each. Pro Se Productions decided to dip its foot in that pool and in December we held a grand opening of sorts for our new imprint- Pro Se Single Shots.

“The success we had,” continues Hancock, “with the first volley of Single Shots was quite amazing. No one’s getting rich on them, but the interest readers showed in being able to drop 99 cents and get a good, solid short story that they could read in a single sitting was staggering to us right out of the gate. This combined with the fact that our second magazine line had run its course we felt in its current format, gave us a few ideas. Chief among them was the fact that we could take each story that would have appeared in a PRO SE PRESENTS and offer it individually to readers in a digital format. That way a mystery fan could pick up the mystery stories he or she wanted for a reasonable price without having to feel like they were buying other stories they may not enjoy. But an even more intriguing idea presented itself rather quickly.

“The concept of digital singles affords Pro Se the ability to really bring the concept of Pulp storytelling and even, in a indirect way, the idea of recurring tales from a consistent stable of authors on a regular schedule –much like classic Pulps did- into the 21st Century. This kernel of an idea took root with us rather quickly and brings us now to possibly the most exciting announcement Pro Se has made in a long time. Pro Se Single Shot Signatures.”

The Pro Se Single Shot Signature line brings together 38 writers from across the spectrum of Genre Fiction. Each of these authors will be producing either an original series of his/her creation featuring recurring characters and concepts or writing an imprint of individual stand alone stories entitled ‘From The Pen of…’ and the author’s name. Multiple genres are represented, from jungle tales to horror stories to some that defy description.

Regardless if an author is doing a series or imprint, they will all be working on a regular production schedule established based on their own ability to produce quality work. Some will produce stories on a bi weekly, monthly, bi monthly, quarterly, or bi annual schedule. Each story will range in length from 3,000 to 15,000 words. Also, debuts of the individual series and/or imprints will be spread out over the remaining months of 2014, with at least three titles debuting in April.

Pro Se Productions proudly announces the inaugural cast of authors in the Pro Se Single Shot Signatures line. They include:
David Foster
PJ Lozito
Russ Anderson
Sean Taylor
Teel James Glenn
Fuller Bumpers
Tommy Hancock
Morgan Minor
Mark Bousquet
Philip Athans
Jim Beard
I. A. Watson
Joshua Reynolds
Bobby Nash
Greg Norgaard
Mark Gelineau
J. Walt Layne
Nikki Nelson-Hicks
D. Alan Lewis
H. David Blalock
Gary Phillips
Sean E. Ali
Barry Reese
Percival Constantine
Jeremy Hicks
Logan L. Masterson
Chuck Miller
Alexander S. Brown
Adam Lance Garcia
David White
Kevin Rodgers
Derrick Ferguson
Aaron Smith
Frank Schildiner
Brad Mengel
Richard White
Terry Alexander
Terrence McCauley

Each Pro Se Single Shot Signature Series and Imprint will feature cover art by Artist Jeffrey Hayes.

If the author of a series or imprint chooses to, print collections of his or her stories will be produced at later dates as agreed upon by Pro Se and the individual creator. Hancock also stated that Pro Se will continue to produce stand alone Single Shots as they did in December and again in March.

“The Signature line,” Hancock says, “is a very exciting prospect for Pro Se, the authors and artist involved, and the readers I believe. It puts these fantastic New Pulp tales in a quick, easy to digest format, makes them inexpensive, and opens readers up to a whole host of ideas and authors that they may never have been exposed to otherwise for whatever reason. It may not be the same feel as having a paper magazine to fold up in your hand, but the Pro Se Single Shot Signatures line definitely makes Puttin’ The Monthly Back into Pulp something Pro Se can do in a big way.”

In coming days, news concerning the individual authors and the series and/or imprints they are working on as well as production schedules will be released from Pro Se Productions.

For More information on Pro Se Single Shot Signatures, to be placed on a review list for upcoming releases, or for interviews with the authors involved, please contact Morgan Minor, Director of Corporate Operations for Pro Se, at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com and like Pro Se on Facebook at www.facebook.com/ProSeProductions.